Indira Cesarine "Natalya Electric No 1"
Indira Cesarine "Natalya Electric No 1" 2020
The Labyrinth Series
Artwork printed with archival ink on glossy coated aluminum, with float mount on back for hanging.
Dimensions 12 x 18 in (Limited Edition of 6), 16 x 24in (Limited Edition of 6).
Signed on verso, includes a certificate of authenticity.
Indira Cesarine is a Mexican American multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art History, French, and Women’s Studies, she additionally studied at Parson’s School of Design, International Center of Photography, School of Visual Arts, Art Students League, and the New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center. Her work as an artist has been featured internationally at many art galleries, museums, and art fairs, including The Metropolitan Museum of Art, Hudson Valley MOCA, The Watermill Center, Mattatuck Museum, Albany Institute, CICA Museum, Smack Mellon, San Luis Obispo Museum of Art, French Embassy Cultural Center, Art Basel Miami, SCOPE Art Fair, SPRING/BREAK Art Show, Norwood Arts Club, Cannes Film Festival, and the International Festival Photo Mode to name a few.
In 2014, her public art sculpture, The Egg of Light, was exhibited at Rockefeller Center as part of the Fabergé Big Egg Hunt. Cesarine’s work has been auctioned in a number of art benefits including Sotheby’s New York Take Home A Nude, ARTWALK NY benefiting the Coalition for the Homeless, and Gabrielle's Angel Foundation for Cancer Research, among others. Her artwork and exhibitions have been featured internationally in many publications including The New York Times, American Vogue, Vogue Italia, Forbes, Newsweek, W Magazine, Harper’s Bazaar, i-D, Dazed and Confused, New York Magazine, CNN Style, and The Huffington Post. Cesarine explores her creative vision as an artist vis-à-vis traditional and new mediums and finds strength in examining new ideas in contemporary culture.
“In several of my recent works featured in “THE LABYRINTH” I explore surreal techniques of “light painting” that were invented by Man Ray in 1937, which I have juxtaposed with dramatic chiaroscurist portraits of women in order to evoke an ethereal universe of light and energy. I also find myself returning to the visual language of flowers – as a representation of women’s sexuality, as well as emotional expression of love, forgiveness, sorrow, and hope. Throughout history, flowers have been ripe with symbolism, with each blossom or arrangement having different meanings. The language of flowers dates back many centuries, and they were often used to send secret messages to lovers. For me the flower can be alluring, mysterious, sensual and full of emotions that are difficult to express with words. There is also something intrinsically female about flower blossoms and their visual reference to a women’s body that resonates with me as an artist. It has been inspiring to bring together multiple aspects of my creative process into one exhibition, with “THE LABYRINTH” featuring many varied artistic mediums that become unified through the installation of the maze. I conceived of the maze concept for an exhibition and installation a few years ago after my father passed away. This exhibition is inspired by the maze of life, the power of human connection, emotion and experience – combined with the surreal nature of the unknown.” - Indira Cesarine
Read more about her artwork and exhibitions on our website.