Lynn Bianchi "Chalice"

Lynn Bianchi "Chalice" 2004

Lynn Bianchi is a fine art photographer and multimedia artist who has shown her work in over thirty solo exhibitions and in museums worldwide.

Bianchi’s photographic work has been shown at Tokyo Metropolitan Museum of Photography in Japan; Musée de l’Elysée in Lausanne in Switzerland; Art Gallery of Ontario in Toronto among others. Servitude I from the Heavy In White series was added to the collection of Walker Art Center in 2019. The work is also reproduced in the Walker’s catalogue The Expressionist Figure among such artists as Edgar Degas, Willem de Kooning, David Hockney, Pablo Picasso, etc.

Bianchi’s art has been featured in over forty publications, including The Huffington Post and Encyclopedia of Food and Culture, Vogue Italia and Zoom in Italy, Phot’Art International in France, and GEO in Germany. Lynn’s work resides in numerous private collections across the globe, including Manfred Heiting’s and Edward Norton’s, as well as in museum collections including Museum of Fine Arts in Houston, Texas; Brooklyn Museum in New York and Biblioteque Nationale de France in Paris, Musée Ken Damy in Brescia, Italy, 21c Museum in Louisville, Kentucky. She has recently exhibited in New York City at The Untitled Space and The Armory Show at Salomon Arts Gallery among others.

In 2011 Lynn began working in the video field and has to date produced about 30 multimedia works. Her most recent projects have been shown at various festivals all over the world, including Tulum World Environment Film Festival, Dallas Medianale, MicroActs in London, New Earth International Film Festival in Poland, the famous New York Cinematography AWARDS (NYCA) among others.

Some of the works have been featured at CICA Museum in South Korea and included into International Symposium of Electronic Arts in Columbia, Electronic Language International Festival in Brazil, Piemonte Share Festival – the Italian art fair of electronic art, digital art and new media and others.

Lynn’s latest works are suspended between Henri Cartier-Bresson’s idea that to photograph is to hold one’s breath with all faculties converged in an effort to capture fleeting reality, and the belief that flowing processes that transcend reality cannot be entirely captured by static images. By capturing the natural world Bianchi illustrates our human emotions and motivations. The perpetual movements of the ocean or the endless variations of a skyscape reflect our own shifting internal gestures. The artist looks for the precise moment when mastering a static or moving image becomes a great physical and intellectual joy.

This artwork is currently featured in "Art4Equality x Life, Liberty & The Pursuit of Happiness" group exhibition at The Untitled Space.

Learn more about her artwork and exhibitions on our website.